As it turns out, I will be working tomorrow. Apparently the manager got word of what Chloe and the others are planning to do, so he browbeated me into turning up "just in case". What he means, of course, is that I'll be there to provide till cover in case the girls are completely hung over tomorrow morning.
I don't mind, actually. I'll be doing my friends a favour in letting them off the hook, and it's not as if the garden centre is likely to be busy.
Writing-wise, very little is happening at the moment. I am still waiting for one of my Cold Witness crits to be returned, and I can't finish the book until I get that particular response back (I'm told there are inaccuracies in some technical details, plus radio and telephone protocols on military bases). So my last new year's resolution, to have Project Cold Witness finished by 31st December 2004, has not been fulfilled. It's interesting to think that, other than the trailing mess of Life of a Falcon, I have worked for longer on PCW than any other novel.
I have serious plans for 2005. I will get PCW finished and submitted within the next few months. I will start another novel and finish the first draft--at minimum--by this time next year. I also intend to get a few hundred miles of hiking experience (plus over thirty summits!) under my belt.
To be honest, I still don't know what I want to be working on next. Project Hooded Falcon sounds good in principle, but I am worried that the story won't matter enough. Recently I've become very much aware that novels which really have an impact are more worthwhile than ones which don't. Is the dodgy activities of a single group of scientists "big" enough? Why will it matter on an emotional level, for the characters?
In many ways, fantasy has a greater scope for "big" stories than semi-factual fiction. Perhaps this is why so many fantasy stories are based on circumstances which threaten not only individuals, but entire nations.
I have several worlds which I can develop into stories, and I'm adding detail to them all the time by drawing out maps and other worldbuilding miscellany. But can I commit myself to a novel based in these settings?
We shall see. Whatever the future holds, I want to write something that actually matters--something that engages the reader on a more intense emotional level.



